Brand Corporate Identity -Task 2/Logo
Week 1 -Week 6
Ye Xinyan / 0355096
Brand Corporate Identity/ Bachelor of Design (Honours) in
Creative Media
Task 2 / Logo
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Fig 0.0
Project Instructions
Lecture 4: Brand Ideals
A brand is an individual's perception of a company, good, or service. Companies can affect this process by expressing the features that set their product apart from competitors', even though they have no control over it.
Real engagement is brought about by brand values, which can help
you forge stronger connections with your target market. The majority of
firms use their core brand values, which are constant and unchanging, as
the "true north" on a compass that leads to market success. The aspect
(internal: purpose, personality, and proposition) that genuinely changes
the bonds you forge with clients is this one.
The most effective brand value examples mirror the beliefs of their
target audience while being true to the company's core values.
Regardless of the size or type of business, ideals are critical to a
responsible creative process.They are listed in the following order:
Fig 1.1 Brand Ideals & Definition
Vision:
Visionary, persuasive, and passionate leaders underpin the strongest
brands. Vision takes guts. People who can imagine what others can't
and persevere to attain their goals create great ideas, enterprises,
goods, and services. Hearing vision in person builds identity. Thus,
leaders who reveal their biggest aspirations and struggles understand
the power of symbols and value storytelling to establish their culture
and brand.
Meaning:
Best brands have a significant idea, strategic positioning, or
defined values. Meaning develops gradually. Designers create unique
visual expressions from meaning. Meaning must be interpreted to be
understood, communicated, and recognised. Therefore, every brand
identification system parts should have a meaningful and logical
foundation.
Authenticity:
Understanding the company's market, position, value proposition, and
competitive distinction builds authenticity. Authenticity involves
knowing yourself and making judgements accordingly. Understanding
their position and purpose helps organisations build a sustainable and
authentic brand. For customers to relate to a brand, it must reflect
its mission, history, culture, values, and personality.
Differentiation:
Brands fight for our attention, focus, and loyalty as well as within
their own industry sectors. There are lots of alternatives in the
world. Which brand was preferred over the other? Being unique is
insufficient. Brands need to demonstrate to consumers why they are
different. If you vanished, would anyone miss your brand? Outstanding
brands create a big impression.
Sustainability:
Sustainability is the ability to endure in a constantly changing
environment with unpredictable future developments. Brands convey
trust. People rely on reputable brands in a fast-changing world.
Brands can achieve sustainability by enduring change and sticking to
their core values.
Coherence:
A brand should feel recognisable and have predictable impacts every
time a customer experiences it. Brand consistency is important while
using a product, chatting to a service rep, or buying on an iPhone.
Brand consistency combines all factors to generate trust, loyalty, and
delight customers. A consistent brand architecture, colours,
typefaces, and formats provide a visually and structurally cohesive
brand identity system. This identification system supports brand
attributes across media and fosters rapid firm recognition.
Flexibility:
An effective brand image prepares a company for future change and
growth, supporting evolving strategies. Innovation requires brands to
be flexible, and brands open to change require a flexible brand image
system to quickly seize new market opportunities. The Brand Image
Toolbox encourages creativity within established parameters while
maintaining brand recognizability. A carefully crafted balance between
control and creativity allows brands to adhere to image standards
while achieving specific marketing goals.
Commitment:
In order to succeed, organisations must make sure that everyone
associated with the brand is highly driven and committed. A brand is
an asset that requires upkeep, protection, and cultivation. A
bottom-up appreciation of a brand's significance and top-down commands
are necessary for its active management. To ensure a brand's integrity
and relevance, it takes passion and a rigorous approach to build,
protect, and enhance it. Maintaining standards, adhering to core
values, managing the organisation continuously, and giving it the
resources it needs to establish its brand are all important components
of continuous development.
Value:
Create measurable results to promote and preserve the brand. Creating
value is most companies' main purpose. Consumer value discussions have
broadened due to sustainability. Socially responsible, ecologically
mindful, and profitable is the new business paradigm. Finally, brands
are intangible. Brand identity, encompassing packaging and websites,
is crucial for preserving this value.
The ideal is the brand's inspirational reason for being. It
explains why the brand exists and the impact it seeks to make in
the world.
The challenge for brands going forward will be to authentically
create and sustain their own intangible marketplaces, using their
ideals to connect, unite, and
inspire."
Lecture 5: Positioning
A brand's positioning in customers' minds is called brand
positioning. Brand positioning can be called positioning strategy,
brand strategy, or brand positioning statement. Willis says strategy
is the long-term approach that affects brand positioning. "Creating
a brand strategy is like drawing a map, while positioning is
determining your location and destination.
A brand has been successfully positioned, it is notoriously
difficult to reposition.
The goal (of repositioning) is to create a
unique impression in the customer’s mind so that the customer
associates your brand with something specific and
desirable that is different from other brands in the market.
Whether the customer likes it or not, positioning occurs.
Willis jokingly suggested four alternative positioning styles or
types:
1. Arm wrestling
You are attempting to challenge the market leader and outwit them in this situation, which is feasible if there is a well-established market category without a dominant player. It does, however, cost a lot of money and time.
You are attempting to challenge the market leader and outwit them in this situation, which is feasible if there is a well-established market category without a dominant player. It does, however, cost a lot of money and time.
2. Large fish in a tiny pond
Here, the emphasis is on an underserved niche sector inside a
broader market when a larger competitor is failing to address a
particular demand. The audience's frame of reference is a plus, but
the market leader may match your offer, which is a drawback.
3. Building the market again
With this kind of brand positioning, an established market is
reframed in novel ways. It renders the advantages emphasised by
earlier market leaders meaningless or, to put it plainly, dull. This
is effective when there is innovation in the product or service or
when the needs and expectations of the market shift.
4.Modifying the game's rules
Having no market categorization for your product or service is
game-changing. As the first, you can construct your own market.
Successful market disruptors include Uber and Xerox. People will use
your brand name instead of generic nouns like "Uber" for taxis or
"Xerox" for "photocopying." You've changed the rules when they do.
This technique will make you the default market leader, but without
big hurdles like patents or copyrights, others may replicate and
beat you before you can establish a footing.
Differentiation is the process a company uses to make
its product or service stand out from its
competitors…differentiation comes into play whenever you’re choosing
between two products in the same category.
- Effective positioning of a product or service is based on differentiating features or qualities that make the product/service superior to competitors in the minds of the target group. Neumeier points out that Greg Gall requires clear answers to 3 small questions:
- Who are you?
- What do you do?
- Why is this important?
If you can
answer these questions, you have a brand.
When you determine what makes your
product/service/organization/person unique and what differentiates
it from your competitors, you can take the necessary steps to
strategically position your brand in the marketplace. According to
Bueno, there are 7 key steps to effectively clarify your position
in the marketplace:
- Determine your brand’s current positioning
- Identify your direct competitors
- Understand how each competitor positions their brand
- Compare your positioning to competitors to determine what makes you unique
- Develop a unique, value-based positioning idea
- Develop a brand positioning statement
- Test the effectiveness of your brand positioning statement
How to create a brand positioning statement :
There are four essential elements of a best-in-class positioning
statement:
- Target Customer: What is a concise summary of the attitudinal and demographic description of the target group of customers your brand is attempting to appeal to and attract?
- Market Definition: What category is your brand competing in and in what context does your brand have relevance to your customers?
- Brand Promise: What is the most compelling (emotional/rational) benefit to your target customers that your brand can own relative to your competition?
- Reason to Believe: What is the most compelling evidence that your brand delivers on its brand promise?
After carefully answering these four questions, you can develop a
positioning statement: For [target customers],
[company name] is the [market definition] that
delivers on the [brand promise] because only
[company name] is [reason to believe].
Can develop a slogan to support the establishment of your
intended brand positioning after you have a compelling brand
positioning statement. Although a positioning statement is meant
for internal usage and serves as a roadmap for marketing and
operational decisions, it is frequently mistaken for a business
slogan. For external marketing, a slogan is used. While a slogan
can be created using the insights from a positioning statement,
it's crucial to recognise the differences between the two.
- Conclusion:
If brand positioning statement is strong, you can construct a sloganto support it. Create a slogan for external marketing. A positioning statement can help you write a slogan, but you must know the difference.
Task 2A-Logo Research & Analysis
For my 28 signs, I collected them from things around me, including objects
around me, apps on my phone, and so on.
In the slideshow, I’ve provided a brief introduction to each brand, along
with the logo type, color scheme, graphic elements used, and typographic
style.
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Fig 2.1
Logo Research and Analysis Slides (PDF)
Task 2B: Logo Design
There are five questions I need to think about before I can move
forward before finalizing my business.
1> Your career / business
2> What service(s) / product(s) are you providing?
3> How do you differentiate yourself from others? (uniqueness of
career)
4> Who will be interested with your product(s) or service(s)?
5> Name & Rationale
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Fig.3.1
Career Choices (PDF)
Mindmaps:
Once the business was selected, we had to create two mind maps.
Everything about the company, including what it sells, who its target market
is, potential brand colours, etc., was included in the first mind map. On
the other hand, the brand name, its history, and other associated terms were
included in the second mind map.(Draft)
Fig.3.2.1
Mindmap-Business (Draft-JPG)
In the first version, I included businesses such as customized
services and hosting business events.
According to Miss LIlian's feedback, I may consider adding items to
sell commercial products separately. I am ready to make
changes.
Fig.3.2.2
Mindmap-Brand name (Draft-JPG)
When considering a brand name I chose it more based on its
business scope.
According to Ms. Lilian's feedback, when I consider the brand name, I
consider the business it is engaged in more than its direct association.
I am ready to make a change.
Fig.3.2.3
Final Mindmap-Business (JPG)
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Fig.3.3.1
Final Mindmap-Business (PDF)
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Fig.3.3.2
Final Mindmap-Brand name (PDF)
We need to produce 2 creative sketches per week for logo
development. First, use mind mapping to identify important
keywords or key visuals. Develop them into idea sketches and
then into concepts. Narrow down the most promising ideas and
concepts.
Week 3 Sketches:
Fig.4.1
Sketches-Week3 (JPG)
When I started designing the logo, I thought about the characteristics
of the brand - door-to-door service, quick service, and high-quality
service that makes consumers radiant. I introduced most of them in my
sketches, and most of my exploration was on suitable objects that
represent beauty, such as bows and high heels in the sketches. I also
considered that my brand name "BLISS Beauty" starts with the letter "B",
so I considered exploring the letter "B" as my logo theme and adding
more creativity.
Week 4 Sketches:
Fig.5.1
Sketches-Week4 (JPG)
Week 5 Digitalisation:
After deciding on a logo design to digitize, I did a black and
white digitization and color experiment in Adobe Illustrator.
Fig.6.1.1
Process in Illustrator-Week5 (PNG)
Fig.7.1.5
Process in Illustrator-Week6 (PNG)
Fig.7.1.8&7.1.9
Digitalisation-Week6 (JPG)
Fig.7.1.10&7.1.11
Digitalisation-Week6 (JPG)
Fig.7.1.12&7.1.13
Digitalisation-Week6 (JPG)
Based on feedback from week 6, I found that the size of the
black border of my black-and-white digitization was
wrong. Because my black and white is not rationalized
according to my space.I made changes.
Fig.8.1.4
Digitalisation-Week7 (JPG)
Following Miss Lilian's advice I decided to use a
yellow-like color as the final color for my logo.
Fig.9.1.1&9.1.2
Logo Space Rationalisation-Week7 (JPG)
Fig.9.1.3&.9.1.4
Logo Space Rationalisation&Patterns-Week7 (JPG)
I started by taking the patterns in the logo apart and arranging
them in order to repeat a pattern and finally form a new pattern.
GIF (B&W Draft)
Fig. 10.1
Logo Gif -Week7(B&W Draft)
YouTube Link:https://youtube.com/shorts/AkWJFXY8drg
For my logo GIF, I wanted to use a smooth line effect that
slowly appears, and not too fast. The connotation behind it is
gentle and meticulous service, which is in line with the
company's goals.
GIF ( Final Colour)
Fig.10.2
Logo Gif -Week7(Final Colour)
YouTube Link:https://youtube.com/shorts/oGAdhb1HRDs
After deciding on the logo colors, I returned to the Adobe
Illustrator file and changed the colors of each layer. I
created this logo GIF in Adobe After Effects.
Final Outcomes:
Task 2A: Logo Research & Analysis
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Fig.11.1
Task 2A: Logo Research & Analysis (PDF)
Task 2B: Logo Design
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Fig. 11.2
Task 2B: Logo Design (PDF)
Fig.11.3
Task 2B: Logo GIF (mp4)
YouTube Link:https://youtube.com/shorts/oGAdhb1HRDs
Feedback
-WEEK1
The third enterprise appears promising, and there is sufficient
interest in this concept to pursue it further. Next, create two
mind maps within the upcoming week. The company itself should be
the subject of the first mind map, and the brand name should be
the subject of the second.
-WEEK2
The use of the business name Map is too commercial and the
business could add items that sell beauty products
separately.
-WEEK3
Sketches 8, 14, and 19 need to be further explored. Sketch 8 can
be reshaped, but it is a bit childish for the brand's target
group. Sketch 14 is a bit interesting and can be further explored.
Sketch 19 is a bit traditional and does not give an intuitive
understanding of the brand's business. But it can still be
explored.
-WEEK4
Sketches 7 and 10 need further exploration. Sketch 7 is too
complicated because the face itself is presented in the form of
lines, and the border uses mixed lines, which needs to be
improved. Sketch 10 can be further explored.Sketch 10: The flowers
on the character’s head need to be simplified, as they seem to
steal the attention from the logo.
-WEEK5
Start making a digital version of your logo.The spelling is
wrong. The stroke needs to be thicker to give it a more natural
form. The stroke needs to compensate for the extra texture of the
eyelashes. Consider other fonts that could be used to create a
business-appropriate vibe. Adding digital ideas will allow for
more feedback.
-WEEK6
Can consider designing a new logo and abandon the previous one.
The new character lines need to be thicker, otherwise it will be
difficult to see. I think yellow is a better color.
-WEEK7
Because the reverse logo's stroke is thinner than the positive
(black and white logo), it must be thicker. Avoid using the original
coloured logo. For grid usage, the logo space rationalisation is
well-written, however it lacks relevant metrics and relationships
between pieces. The rationalisation grid and white space bounding
box graphic lines next to the logo should also be grey. The wordmark
is missing, and the logo tagline is incorrectly surrounded by a
bounding circle. Under the brand mark, the slogan and working mark
should be. The principle logo should not employ Helvetica unless it
is the brand font. Instead, use the brand typeface. The suggested
brand typeface is there, but its name is unknown. Use the brand
typeface for headers and body material to emphasise the idea. The
logo pattern might be improved to better represent the services.
Simple GIF matches brand.
Reflection
-Experience
I gained a lot of knowledge by working on Task 2B, both from my classmates' and the lecturer's criticism. I got a lot of inspiration from everyone's logo designs in class, so I truly loved looking at them. Having all of my sketches digitalized gave me the impression that I was actually launching a company.
-Observation
The black and white digitized version must follow the clear space, otherwise it will be irregular and should be grey as indicated. Ideally, the work mark must be included and the tagline should be below the full brand mark.
-Findings
When I first digitized my ideas, it felt like some of them were ready to be used as brand logos, but I realized that it was far from enough. Rationalizing the grid, white space and bounding boxes was a must to better ensure the quality of the logo.






























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